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SRaffa

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Goodbye, Mr. Ed

2 min read

“Do not let the fact that things were not made for you, that conditions are not as they should be, stop you.  Go on anyway.  Everything depends on those who go on anyway.” 
—ROBERT HENRI, THE ART SPIRIT

Red Env by SRaffa
 

The genuine magic of a first encounter with a work of art is in seeing all of the stages of prolonged struggle that were required to make it slammed into a single instant of viewing the finished work at once, as a singular vision.

It's difficult to imagine the breaks and interruptions, the trips to the grocery store that pulled the artist away, the concessions to sleep that derailed those moments of righteous craftsmanship which came after a dozen false starts; the struggle for money to secure art supplies (and groceries) that always postponed completion one more day; the infinite number of things that conspired to prevent the work from ever coming to fruition.

The moment of realization when you sign your name to the piece is a victory over every obstacle that made this work of yours seem impossible to accomplish; the signature is a useful reminder of how many times you really have conquered hopelessness and kept on going.

A signature is a triumph, and also a kind of resignation.

Goodbye to the year of the Horse, for better and for worse.

Happy Year of the Sheep to everyone still logging on to deviantART; to everyone still doing what we've always done here: submitting art and submitting to each other's art. Michelangelo was born in a Sheep year; may his spirit abide with us for all of the next twelve months and beyond; Happy New Year, deviantART!

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Nurser Journal Illus by SRaffa



If you've got five chances, throw four at whatever you can reasonably hit. But, as for the fifth…

In 1991, in broad daylight, I'm pounding on the heavy glass doors of Spivak's Art Supply, a store that had been open for many years until this very day, the one day I really have to get inside.

All of the windows and doors are papered over from the inside and the lights are out.

My fist is meeting the glass with the kind of desperation that gets people arrested and put in jail, every day of the week. I don't hear any noise at all from inside.

Boiling over all at once, I run around to the alley in back and up the short ramp where trucks had formerly unloaded easels and drawing boards and whatever else into this store. I put my ear to the door and I can distinctly hear someone speaking out loud in there, and the pounding I give the door now surprises even me.

"Open up! I gotta have my drawing back! Please open up this door!"

     
***


I had recently discovered that color Xerox machines could reproduce the details and nuances of graphite pencil drawings far better than standard Xerox machines could, and for a fraction of the price of PMTs and stats. I was trying to drum up freelance work by printing self promotion posters featuring color Xeroxes of a pencil drawing I'd done depicting three babies emerging from three roses-- Nursery is its title.

I'd been able to afford to have five of these posters printed as color Xeroxes; I'd sent four of them to local ad agencies, but on a crazy whim, I'd sent the fifth to one of my favorite writers, Harlan Ellison, through the publishers of his most recent book.

Weeks later, none of the ad agencies had contacted me, but Harlan Ellison called me on the phone, much to my stammering amazement.

And months later he called again, this time to say that he wanted to use the Nursery image for the cover of his forthcoming book, but only if I could get the original mailed off to him to be properly photographed, and in something of a hurry.

Of all the paintings and drawings I could have chosen to hang at Spivak's Art Supply for their customer appreciation show, Nursery was, of course, among them. And the day Harlan Ellison called to ask for that drawing turned out to be, of course, the day that Spivak's had gone out of business and locked its doors for almost the final time…

I don't know what became of the rest of the art that had been hung for Spivak's customer appreciation show, but Nursery did become the cover of Harlan Ellison's book, Dreams With Sharp Teeth, and I've done additional work for him in the years that have followed.

If you've got five chances, throw four at whatever's within your reach. But that fifth chance? Slam it at the fucking moon while you still have time…


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Chinese Wheel Art And Lit by SRaffa


Legend Friday Rescue Flat by SRaffa


鼠 TEAM RAT
1.ValeNyan (full text) 2.CratyChick16 (full text) 3.Kryschenn 4.Sonic156 5.arianam411 6.xXoriigamiXx 7.ShinigamiinPeru 8.Orangelargh 9.arianam411 10.YouWouldntLikeMe 11.animetoonation 12.InkHeart4568 13.AskFemFeliciaItaly 14.onypiegirlz 15.Cartoon-Trash 16.Katyrbee 17.PrincePeachu
牛 TEAM OX
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虎 TEAM TIGER
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兔 TEAM RABBIT
57.InkHeart4568 58.AliBlackWolf 59.ArtistaDeAlma22 60.yongX13 61.MysteryDiamond95 62.DiegoTripodi 63.doctorwhogirl666 (full text) 64.color-maniac 65.raiinysummer 66.JamesyHeap 67.CuriousSloth 68.Yastach 69.spitfyre321 70.Creativeness
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蛇 TEAM SNAKE
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馬 TEAM HORSE
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羊 TEAM SHEEP
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鷄 TEAM ROOSTER
163.LindseyMichelle (full text) 164.saevuswinds (full text) 164a.saevuswinds (full text) 165.yongX13 166.InkHeart4568 167.Yastach 168.MunguiArt 169.aster-lili 170.Luminers 171.Neverfallforfun 172.kate767gut 173.yingmakes
狗 TEAM DOG
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Thanks to everyone who participated in this contest-- there is no deviantART without deviants, and no Chinese Horoscope Wheel  without the artists who put their work into this one!

Now to the prizes, as adjudicated by the mysterious organization called the Tangentialists:


FIRST PRIZE
Dragon Lore - Green
One Year deviantART Premium Membership, One deviantART Gear T-Shirt, One (maximum $30.00 value) deviantART Print


SECOND PRIZE
Six Month deviantART Premium Membership, One deviantART Gear T-Shirt


THIRD PRIZE
. Red Tiger .
Three Month deviantART Premium Membership, One deviantART Gear T-Shirt

FOUR HONORABLE MENTIONS


Golden Rooster
Three Month deviantART Premium Membership



Song of the Wolf
Three Month deviantART Premium Membership


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Siberian Tigre
by ChristianKolle
Three Month deviantART Premium Membership


TeamOxRocks!
Three Month deviantART Premium Membership


:la:Congratulations to all of the prize-winners, and to all of the deviants whose unique and individual expressions are now unified and integrated upon the Wheel! :la:


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Jack Kirby

4 min read
1949-Jack Kirby by SRaffa

Jack Kirby was born Jacob Kurtzberg on August 28th, 1917 in the Lower East Side of Manhattan in New York City. He was a comic book artist, writer, and editor; one of the most innovative and influential creators in the history of comics.


Growing up poor in New York City, Jacob Kurtzberg entered the newly emerging comics industry in the 1930s. He drew various comics features under different pen names, finally settling on Jack Kirby. In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics, predecessor of Marvel Comics. During the 1940s, Kirby, often collaborating with Simon, created numerous characters for that company and also for the company that would become DC Comics.

Kirby-Simon captain-america by SRaffa


Kirby eventually found himself at Timely's 1950s incarnation, Atlas Comics, later to be known as Marvel Comics. There, in the 1960s, he and writer-editor Stan Lee co-created many of Marvel's major characters, including the Fantastic Four, the X-Men, and the Hulk.

Cap Pencils by SRaffa


Kirby's approach to comics was to make the pages explode with brilliant, dynamic life-- comics had never looked the way they did under Kirby's command, nor would they be the same thereafter.

Fantastic-four by SRaffa


For almost a decade, Kirby provided Marvel's house style. At Stan Lee's request, he often provided newly hired Marvel artists with penciled "breakdown" layouts, over which they would apply their own pencil work-- in order to become acquainted with the Marvel look; Kirby's unprecedented style.

Silver Surfer by SRaffa


As artist Gil Kane described:
"It wasn't merely that Jack conceived most of the characters that are being done, but... Jack's point of view and philosophy of drawing became the governing philosophy of the entire publishing company and, beyond the publishing company, of the entire field... Jack was like the Holy Scripture and [the bullpen of artists] simply had to follow him without deviation."


The Lee-Kirby titles met with high sales and critical acclaim, but Kirby felt that he was being treated unfairly, and so he left Marvel Comics in 1970 for rival DC. There, Kirby created his Fourth World saga, which spanned several comics titles. While these series proved commercially unsuccessful and were canceled, several of their characters and the Fourth World mythos have continued as a significant part of the DC Universe.

Mistermiracle1 by SRaffa


Kirby returned to Marvel briefly in the mid-to-late 1970s, then ventured into television animation and independent comics. In his later years, Kirby gained recognition in the mainstream press for his career accomplishments, and in 1987, he, along with Carl Barks and Will Eisner, was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame.


He died on February 6, 1994, at the age of 76.

Jack by SRaffa


SOURCES: Kirby, King Of Comics by Mark Evanier; Tales To Astonish by Ronin Ro; The Jack Kirby Museum; Wikipedia.









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Moebius by SRaffa

Jean Henri Gaston Giraud (also known as Moebius) was a French comics artist, working in the French tradition of bandes dessinées (bandes dessinées is derived from the original description of the comics art form as "drawn strips").
Moebius-Arzach by SRaffa


Many artists from around the world have cited Giraud as an influence on their work. Giraud was longtime friends with manga author and anime filmmaker Hayao Miyazaki. Giraud even named his daughter Nausicaä after the character in Miyazaki's Nausicaä of the Valley of the Wind. Asked by Giraud in an interview how he first discovered his work, Miyazaki replied:
"Through Arzach, which dates from 1975, I believe. I only read it in 1980, and it was a big shock. Not only for me. All manga authors were shaken by this work. Unfortunately, when I discovered it, I already had a consolidated style so I couldn't use its influence to enrich my drawing. Even today, I think it has an awesome sense of space. I directed Nausicaä under Moebius's influence."
Moebius2 by SRaffa


Pioneering cyberpunk author William Gibson said of Giraud's work, The Long Tomorrow:
"So it's entirely fair to say, and I've said it before, that the way Neuromancer, the novel, "looks" was influenced in large part by some of the artwork I saw in Heavy Metal. I assume that this must also be true of John Carpenter's Escape from New York, Ridley Scott's Blade Runner, and all other artifacts of the style sometimes dubbed 'cyberpunk'. Those French guys, they got their end in early."

The Long Tomorrow also came to the attention of Ridley Scott and was a key visual reference for Blade Runner.


"I consider him more important than Doré," said Italian filmmaker Federico Fellini. "He’s a unique talent endowed with an extraordinary visionary imagination that’s constantly renewed and never vulgar. Moebius disturbs and consoles. He has the ability to transport us into unknown worlds where we encounter unsettling characters. My admiration for him is total. I consider him a great artist-- as great as Picasso and Matisse."

Moebius-StarWatcherII by SRaffa


To distinguish between work by Giraud and Moebius, Giraud used a brush for his own work and a pen when he signed his work as Moebius.


Giraud died in Paris, on March 10, 2012, at the age of 73.

SOURCES: Wikipedia and Heavy Metal Magazine.



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